Great Mother of the Gods

Deity of the ancient Mediterranean world.

Her cult originated in Phrygia in Asia Minor and spread to the Greek world, where she was identified with Rhea. It reached Rome by the 3rd century BC and became a major cult during the empire. Known by a variety of local names, Cybele was venerated as the universal mother of gods, humans, and animals. Her lover was the fertility god Attis. Her priests, the Galli, castrated themselves when they entered her service, and on her festival day they spattered their blood on her altar and her sacred pine tree.

Cybele, terra-cotta statuette, from Camirus, Rhodes, early 5th century BC; in the British Museum, ...

Courtesy of the trustees of the British Museum

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▪ ancient deity
also called  Cybele,  Cybebe,  or  Agdistis,  

      ancient Oriental and Greco-Roman deity, known by a variety of local names; the name Cybele or Cybebe predominates in Greek and Roman literature from about the 5th century BC onward. Her full official Roman name was Mater Deum Magna Idaea (Great Idaean Mother of the Gods).

      Legends agree in locating the rise of the worship of the Great Mother in the general area of Phrygia in Asia Minor (now in west-central Turkey), and during classical times her cult centre was at Pessinus, located on the slopes of Mount Dindymus, or Agdistis (hence her names Dindymene and Agdistis). The existence, however, of many similar non-Phrygian deities indicates that she was merely the Phrygian form of the nature deity of all Asia Minor. From Asia Minor her cult spread first to Greek territory. The Greeks always saw in the Great Mother a resemblance to their own goddess Rhea and finally identified the two completely.

      During Hannibal's invasion of Italy in 204 BC, the Romans followed a Sibylline prophecy that the enemy could be expelled and conquered if the “Idaean Mother” were brought to Rome, together with her sacred symbol, a small stone reputed to have fallen from the heavens. Her identification by the Romans with the goddesses Maia, Ops, Rhea, Tellus, and Ceres contributed to the establishment of her worship on a firm footing. By the end of the Roman Republic it had attained prominence, and under the empire it became one of the most important cults in the Roman world.

      In all of her aspects, Roman, Greek, and Oriental, the Great Mother was characterized by essentially the same qualities. Most prominent among them was her universal motherhood. She was the great parent not only of gods but also of human beings and beasts. She was called the Mountain Mother, and special emphasis was placed on her maternity over wild nature; this was manifested by the orgiastic character of her worship. Her mythical attendants, the Corybantes, were wild, half-demonic beings. Her priests, the Galli, castrated themselves on entering her service. The self-mutilation was justified by the myth that her lover, the fertility god Attis, had emasculated himself under a pine tree, where he bled to death. At Cybele's annual festival (March 15–27), a pine tree was cut and brought to her shrine, where it was honoured as a god and adorned with violets considered to have sprung from the blood of Attis. On March 24, the “Day of Blood,” her chief priest, the archigallus, drew blood from his arms and offered it to her to the music of cymbals, drums, and flutes, while the lower clergy whirled madly and slashed themselves to bespatter the altar and the sacred pine with their blood. On March 27 the silver statue of the goddess, with the sacred stone set in its head, was borne in procession and bathed in the Almo, a tributary of the Tiber River.

      Cybele's ecstatic rites were at home and fully comprehensible in Asia, but they were too frenzied for Europeans farther west. Roman citizens were at first forbidden to take part in the ceremonies—a ban that was not removed until the time of the empire. Though her cult sometimes existed by itself, in its fully developed state the worship of the Great Mother was accompanied by that of Attis.

      The Great Mother was especially prominent in the art of the empire. She usually appears with mural crown and veil, seated on a throne or in a chariot, drawn by two lions. (In some accounts, the lions were originally Atalanta and Hippomenes.)

      Mother goddess figures are found in almost every ancient religion, but these figures, who were usually only goddesses of fertility and reproduction in general, should not be confused with the Great Mother of the Gods, who was regarded as the giver of life to gods, human beings, and beasts alike.

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Universalium. 2010.

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