Frank, Robert

born Nov. 9, 1924, Zürich, Switz.

Swiss-born U.S. photographer.

In the 1940s he worked as a fashion photographer for Harper's Bazaar in Paris. He abandoned fashion work in 1947 to travel in the U.S. and South America and explore the use of the 35-mm camera. His collection The Americans (1959), with its gritty, discordant images of 1950s America, had enormous influence and established him as a major figure. After 1959 Frank turned to filmmaking; his short film Pull My Daisy (1959), a collaboration with Jack Kerouac, became an underground classic. A major later collection is Robert Frank: Moving Out (1994).

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▪ American photographer
born November 9, 1924, Zürich, Switzerland

      one of the most influential photographers of the mid-20th century, noted for ironic renderings of American life.

      Frank became a professional industrial photographer at the age of 22 and in the 1940s became a successful fashion photographer for Harper's Bazaar magazine in Paris. He felt, however, that the scope of the work was too limited. He abandoned fashion photography about 1948 and went to the United States and then to Peru to explore the expressive possibilities of the 35-mm camera.

      After photographing in Europe in 1950 and 1953, Frank returned to the United States. There in 1955 and 1956 he made a series of photographs ultimately published as The Americans (1959), a photographic book with a text by the American novelist Jack Kerouac (Kerouac, Jack). Photographs such as Chicago, 1956 in The Americans reveal Frank's mature style, which is characterized by bold composition and ironic, sometimes bitter, social commentary. Their publication established Frank as a major creative photographer.

 After 1959 he turned primarily to cinematography. His first motion picture, Pull My Daisy (1959), was based on a play by Kerouac and featured the poets (Beat movement) Allen Ginsberg, Gregory Corso, and Peter Orlovsky, as well as the painter Larry Rivers. Pull My Daisy was a critical success, but Frank's later films were not so well received.
 

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Universalium. 2010.

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