- —surrealist, n., adj./seuh ree"euh liz'euhm/, n. (sometimes cap.)a style of art and literature developed principally in the 20th century, stressing the subconscious or nonrational significance of imagery arrived at by automatism or the exploitation of chance effects, unexpected juxtapositions, etc.[1920-25; < F surréalisme. See SUR-1, REALISM]
* * *Movement in the visual arts and literature that flourished in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; Surrealism developed in reaction against the "rationalism" that had led to World War I. The movement was founded in 1924 by André Breton as a means of joining dream and fantasy to everyday reality to form "an absolute reality, a surreality." Drawing on the theories of Sigmund Freud, he concluded that the unconscious was the wellspring of the imagination. Breton was a poet, but Surrealism's major achievements were in painting. Some artists practiced organic, emblematic, or absolute Surrealism, expressing the unconscious through suggestive yet indefinite biomorphic images (e.g., Jean Arp, Max Ernst, André Masson, Joan Miró). Others created realistically painted images, removed from their context and reassembled within a paradoxical or shocking framework (Salvador Dalí, René Magritte). With its emphasis on content and free form, Surrealism provided a major alternative to the contemporary, highly formalistic Cubist movement and was largely responsible for perpetuating in modern painting the traditional emphasis on content.
* * *▪ art and literaturemovement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism's emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton (Breton, André), who published “The Surrealist Manifesto” in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.In the poetry of Breton, Paul Éluard, Pierre Reverdy, and others, Surrealism manifested itself in a juxtaposition of words that was startling because it was determined not by logical but by psychological—that is, unconscious—thought processes. Its major achievements, however, were in the field of painting. Surrealist painting was influenced not only by Dadaism but also by the fantastic and grotesque images of such earlier painters as Hieronymus Bosch and Francisco Goya and of closer contemporaries such as Odilon Redon, Giorgio de Chirico, and Marc Chagall. The practice of Surrealist art strongly emphasized methodological research and experimentation, stressing the work of art as a means for prompting personal psychic investigation and revelation. Breton, however, demanded firm doctrinal allegiance. Thus, although the Surrealists held a group show in Paris in 1925, the history of the movement is full of expulsions, defections, and personal attacks.The major Surrealist painters were Jean Arp, Max Ernst (Ernst, Max), André Masson (Masson, André), René Magritte (Magritte, René), Yves Tanguy (Tanguy, Yves), Salvador Dalí (Dalí, Salvador), Pierre Roy, Paul Delvaux (Delvaux, Paul), and Joan Miró (Miró, Joan). The work of these artists is too diverse to be summarized categorically as the Surrealist approach in the visual arts. Each artist sought his own means of self-exploration. Some single-mindedly pursued a spontaneous revelation of the unconscious, freed from the controls of the conscious mind; others, notably Miró, used Surrealism as a liberating starting point for an exploration of personal fantasies, conscious or unconscious, often through formal means of great beauty. A range of possibilities falling between the two extremes can be distinguished. At one pole, exemplified at its purest by the works of Arp (Arp, Jean), the viewer is confronted with images, usually biomorphic, that are suggestive but indefinite. As the viewer's mind works with the provocative image, unconscious associations are liberated, and the creative imagination asserts itself in a totally open-ended investigative process. To a greater or lesser extent, Ernst, Masson, and Miró also followed this approach, variously called organic, emblematic, or absolute Surrealism. At the other pole the viewer is confronted by a world that is completely defined and minutely depicted but that makes no rational sense: fully recognizable, realistically painted images are removed from their normal contexts and reassembled within an ambiguous, paradoxical, or shocking framework. The work aims to provoke a sympathetic response in the viewer, forcing him to acknowledge the inherent “sense” of the irrational and logically inexplicable. The most direct form of this approach was taken by Magritte in simple but powerful paintings such as that portraying a normal table setting that includes a plate holding a slice of ham, from the centre of which stares a human eye. Dalí, Roy, and Delvaux rendered similar but more complex alien worlds that resemble compelling dreamlike scenes.A number of specific techniques were devised by the Surrealists to evoke psychic responses. Among these were frottage (rubbing with graphite over wood or other grained substances) and grattage (scraping the canvas)—both developed by Ernst to produce partial images, which were to be completed in the mind of the viewer; automatic drawing, a spontaneous, uncensored recording of chaotic images that “erupt” into the consciousness of the artist; and found objects.With its emphasis on content and free form, Surrealism provided a major alternative to the contemporary, highly formalistic Cubist (Cubism) movement and was largely responsible for perpetuating in modern painting the traditional emphasis on content.
* * *
Look at other dictionaries:
Surrealism — SurrealismIn 1917, Guillaume Apollinaire coined the term Surrealism in the program notes describing the ballet Parade which was a collaborative work by Jean Cocteau, Erik Satie, Pablo Picasso and Léonide Massine: From this new alliance, for until … Wikipedia
surrealism — (n.) 1927, from Fr. surréalisme (from sur beyond + réalisme realism ), coined c.1917 by Guillaume Apollinaire, taken over by Andre Breton as the name of the movement he launched in 1924 with Manifeste de Surréalisme. Taken up in English at first… … Etymology dictionary
surrealism — ► NOUN ▪ an avant garde 20th century movement in art and literature which sought to release the creative potential of the unconscious mind, for example by the irrational juxtaposition of images. DERIVATIVES surrealist noun & adjective… … English terms dictionary
surrealism — [sər rē′əliz΄əm] n. [Fr surréalisme: see SUR 1 & REALISM] a modern movement in art and literature, in which an attempt is made to portray or interpret the workings of the unconscious mind as manifested in dreams: it is characterized by an… … English World dictionary
surrealism — [[t]səri͟ːəlɪzəm[/t]] N UNCOUNT Surrealism is a style in art and literature in which ideas, images, and objects are combined in a strange way, like in a dream. His early work was influenced by the European surrealism of the 1930 s … English dictionary
Surrealism — cultural movement that began in the early 1920s, best known for the visual artworks and writings of the group members. The works feature the element of surprise, unexpected juxtapositions and non sequitur, however many Surrealist artists and… … Mini philosophy glossary
surrealism — noun Etymology: French surréalisme, from sur + réalisme realism Date: 1925 the principles, ideals, or practice of producing fantastic or incongruous imagery or effects in art, literature, film, or theater by means of unnatural or irrational… … New Collegiate Dictionary
surrealism — noun /səˈriː(.ə)l.ɪz.əm/ An artistic movement and an aesthetic philosophy that aims for the liberation of the mind by emphasizing the critical and imaginative powers of the subconscious. See Also: surreal, surrealist … Wiktionary
surrealism — sur|real|is|m [səˈrıəlızəm] n [U] [Date: 1900 2000; : French; Origin: surréalisme, from sur ( SURCHARGE) + réalisme realism ] 20th century art or literature in which the artist or writer connects unrelated images and objects in a strange way… … Dictionary of contemporary English
surrealism — sur|re|al|ism [ sə riə,lızəm ] noun uncount a 20th century style of art and literature that tried to represent dreams and unconscious experience using unusual combinations of images ╾ sur|re|al|ist adjective, noun count … Usage of the words and phrases in modern English